One can see similarities between monsters decline into homicidal tendencies and other homicidal persons. Homicide and suicide are often closely linked. Those that have suicidal thoughts are often prone to homicidal thoughts as well. In the case of the monster, he desperately wants to end his own life, and also, to seek revenge against the one who brought him this misery. Homicides followed by suicides are seen mainly in the

It is an unwanted pregnancy, a madness that he works hard for. And as soon as he is able to infuse artificial life into this inanimate assembly of various body parts from different corpses, his dream vanishes and his nightmare begins. Unlike a legitimate and natural "pregnancy" and procreation, Victor hides his ambition to create life on his own. It is an illegitimate "pregnancy" with horrifying features of power of

Frankenstein -- Billy Budd BILLY BUDD & VICTOR FRANKENSTEIN: TWO TRAGIC FIGURES After a close reading of Mary W. Shelley's Frankenstein; Or, the Modern Prometheus, first published in 1818, and Herman Melville's novella Billy Budd, published around 1855, it is quite clear that the main characters, being Victor Frankenstein and Billy Budd, share some common attributes. Both are young, adventurous and full of curiosity and are caught up in a world that through

The author characterizes each woman as passive, disposable and serving a utilitarian function. Mary Shelley's Frankenstein tells of the evaluation of the problems associated with gender identity via the development of a dreadful monster in a peaceful community. Considering the major characters of 'Frankenstein' which portray the perfect gender duties in those days, it is then quite intriguing that Frankenstein's monster was created and it calls for a thorough research into

Metamorphosis and Frankenstein No Eve soothed my sorrows, nor shared my thoughts; I was alone. I remembered Adam's supplication to his Creator. But where was mine? He had abandoned me: and, in the bitterness of my heart, I cursed him." (Marry Shelly Frankenstein) Metamorphosis by Franz Kafka and Frankenstein by Marry Shelly perhaps two of the most brilliant stories in English literature, Shelly and Kafka touch the sensitive issue of human relationship

Promethean myth holds a very strong hold upon the literature of the romantic era, a collected era of the rekindling of the ideas and ideals of classical antiquity. Though within each evolving age there is the incorporation of propriety and modernity into the stories and ideal of the old. Though not alone, in their fascination with creation and even the promethean myth, as the forbearers of the Romantics had a